In Part 1 I rescued a set of badly backlit ZV-1 photos using RAW files, subject masking, and a handful of light adjustments. If you haven't read it, start there: this post picks up where that one ends. Because correcting the light is only half the job. A technically correct photo can still feel like nothing. This is the part where it gets a mood. Correction versus colour These are two separate jobs and treating them as one is why a lot of edits go sideways. Correction is fixi