The short answer: Creative Style and Creative Look are Sony's two in-camera colour systems, and every Sony camera has one or the other. Creative Style is the older system, found on cameras like the Sony ZV-1, Sony RX100 VII, and the a6000-series: it uses named styles like Standard, Vivid, and Landscape, each with three adjustments. Creative Look is the newer system, found on bodies like the Sony a7 IV, ZV-E1, and FX30: it uses two-letter codes like ST, PT, and VV, with eight

There’s a moment at every reception where the room goes dark, the DJ kicks in, and every guest reaches for their phone and gets the same shot: flat, washed out, bland. Skin tones gone grey, the warm glow of the room flattened into nothing, the whole thing somehow both too dark and too lifeless at once. They post it anyway, because it’s the only one they’ve got. I was at one of those weddings recently with nothing but my RX100VII tucked in a tiny bag, and I came home with fram

Most Sony RX100 VII guides will hand you a settings table and call it a day. The problem is that settings only work when the light cooperates, and light almost never cooperates. Golden hour shifts in five minutes. Harsh midday sun bounces off everything. Night light is rarely just one source. This guide is about how to read the lighting condition in front of you and adjust the RX100 VII to match, whether you're taking a selfie, capturing a scene, or shooting someone else. The

Summer 2026 guide European summer photography has a recognizable aesthetic: warm light, terracotta and ochre tones, slow-paced detail shots, and a slightly underexposed cinematic feel. This guide breaks down the five core rules that make a photo read as European summer, whether you're shooting on a compact camera like the Sony ZV-1, Canon G7X II, or Fujifilm X100VI, or on your phone. It covers light timing, colour palette, composition, exposure, and shooting mindset, with pra

The Sony RX100 VII settings I use to shoot bright, glowy backlit selfies without blown-out skies or shadowed faces. Beginner-friendly walkthrough.

I took my X100VI to France and Spain for three weeks and came back with some hard-learned lessons about setup. These are the five things I wish I’d configured before I left. Dial these in before your next trip and thank yourself later. 1 — Pre-load your custom recipes Don’t wait until you’re standing in front of the Eiffel Tower to figure out which recipe you want to shoot on. Go into your camera settings before you leave and load every recipe you plan to use into your custom

A brief review of the Sony ZV-1, Canon G7xII, Sony RX100VII, Fujifilm x100vi, DJI Osmo Pocket 3, & Sony A6500 My only gripe with only six different digital cameras is that I’m spoiled for choice (my steak is too juicy and my lobster too buttery vibes) AND I while out shooting I sometimes feel like I want to get a shot that one camera excels at but the one I brought out with me doesn’t… but don’t we all feel that way? Feeling this way and knowing this is a common issue when pi

A current list of all my Camera Equipment and Accessories Cameras Canon G7x Mark ii - https://bit.ly/43aIuPe Sony ZV-1 Mark i - https://bit.ly/4dhWPOz Sony RX 100vii - https://bit.ly/4nEmiq7 Fujifilm x100vi - https://bit.ly/4knXT5R DJI Osmo Pocket 3 Creator Combo - https://bit.ly/44yC5Qc Sony A6500 - https://bit.ly/43r9R8Z 35 mm co Camera - https://bit.ly/42VkDUS Accessories White Wrist Strap - https://bit.ly/3H7Uc5D Sony Tripod - https://bit.ly/3F3NxsM iPhone Gimbal - https

Getting the perfect portrait photo with the flash can be a challenge. It is a fine balance between illuminating the subject, keeping the skin-tones beautiful and warm and determining how much background detail you want to keep in the shot. In this blog post I am going to share with you the two settings that I use on my Canon G7x Mark ii that give me the most flattering flash portraits possible. Here is a link to my video where I also share these settings: https://vm.tiktok.co